The Royal Museum for Central Africa in Tervuren: How Not to Decolonize a Museum

Authors

  • Gustavo Racy Universidade Federal de São Paulo

DOI:

https://doi.org/10.28998/rm.2025.n.18.17976

Keywords:

Royal Museum for Central Africa, Belgium and Congo, Decolonial Museum, Museology

Abstract

In 2018, after living in Belgium for four years, I had the opportunity to visit the Royal Museum for Central Africa in Tervuren for the first time—a historical institution marked by a brutal colonial past. This essay is a brief ethnographic sketch reflecting on the nature of this museum, which had undergone a conceptual renovation aiming to position itself as a decolonial, critical, and reflexive institution. Through images, I seek to share with readers the impressions evoked by the visit, from the testament of its institutional mission to the artifacts and curation, which led me to a familiar place—far from decolonial and, unsurprisingly, back to Brazil.  

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References

LOBI Kuna. Direção de Matthias De Groof. Produção de Daniel De Valck, Cobra Films, 2017, 45'.

PALIMPSESTS of the Africa Museum. Direção de Matthias De Groof. Produção de Daniel De Valck, Cobra Films, 2018, 75'.

HOCHSCHILD, Adam. King Leopold's Ghots. A Story of Greed, Terror, and Heroism in Colonial Africa. Boston; New York: Mariner Books, 1999.

VUILLARD, Éric. Congo. Arles: Babel, 2012.

Published

2025-12-29

How to Cite

Racy, G. (2025). The Royal Museum for Central Africa in Tervuren: How Not to Decolonize a Museum . Revista Mundaú, (18), 224–234. https://doi.org/10.28998/rm.2025.n.18.17976